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RoscoLux Gel Sheets (20"X24")

Part Number LUX SHEET
RoscoLux Gel Sheets (20"X24")
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Roscolux Color
Quantity Price
10 - 20 $8.09
21 - 50 $7.64
51 - 99 $7.19
100+ $7.01
Roscolux is comprised of two types of plastic. More than 65% of the line is made from co-extruded polycarbonate plastic. The remainder of the line is deep dyed polyester. Sheets are 20" X 24". Please note that the 2000 Storaro colors, 3000 Cinecolors/diffusion, and 4000 CalColors are located under the Cinegel tab.

How Color Filters Work
Filters create color by subtracting certain wavelengths of color. Thus, a red filter absorbs blue and green, allowing only the red wavelengths to pass. The process is subtractive, not additive, so the light source must emit a full spectrum.

The Rosco swatchbook provides detailed information on the spectral energy curve of each filter. The curve describes the wavelengths of color transmitted through each filter. For example, Roscolux 342 transmits approximately 40% of the violet and blue energy of the spectrum and 75% of the orange and red energy. It absorbs all energy in the yellow and green range.

The life of color filters depends on many variables: the color, the instrument and lamp used, the dimmer level a filter generally runs at, and the amount of time the light is running. For these reasons it is impossible to assign a "life" for each filter. However some basics knowledge and experience can help with estimates. Dark green and dark blue filters usually burn out the fastest because they absorb the most infrared energy. Absorbing the extra infrared energy causes the plastic to reach it's melting temperature faster. When darker filters are needed try choosing filters that transmit high amounts of the 700 nm range. You can find this information by looking at the Spectral Energy Distribution (S.E.D.) curve located in the swatchbook for each Roscolux color filter. Filters than transmit high levels at 700 nm may also transmit high levels in the infrared range above 700 nm.(See the Roscolux swatchbook for information on how to read S.E.D. curves.)

To prolong the life of a color filter, align your ellipsoidal lamp to a flat field focus. (Get rid of the hot spot.) You can increase the distance between the lamp and the filter by using a top hat or barn door. In extreme cases, try Rosco Heat Shield or Thermashield to prolong the life of your filters.

Never use a plastic filter directly in front of an open faced lamp. This will nearly always cause premature failure because the heat is trapped and it has nowhere to go except to the plastic filter. Always allow a suitable air gap.

How To Read An S.E.D. Curve
The spectral energy distribution curve of each Roscolux filter describes the wavelengths of color transmitted through the individual filters. For example, Roscolux #342 transmits approximately 40% of the violet and blue energy of the spectrum and 75% of the orange and red energy. It blocks all energy in the yellow and green range.

The "Trans." Percentage refers to overall light transmission that is allowed to pass through each individual filter.

Click on this icon shown next to each color filter to view its SED curve.

  Roscolux #00: Dempster Open White (Clear)
A durable, heat resistant polycarbonate film used in the preparation of color scrollers to allow the passage from a color to clear. (Transmission = 96%).
  Roscolux #01: Light Bastard Amber
Enhances fair skin tones. Suggests strong sunlight. (Transmission = 56%).
  Roscolux #02: Bastard Amber
Good where a tint of color is needed. Excellent for natural skin tones. (Transmission = 78%).
  Roscolux #302: Pale Bastard Amber
Very pale warm white. Perfect for enhancing the HPL lamp in a Source Four. (Transmission = 88%).
  Roscolux #03: Dark Bastard Amber
Most saturated Bastard Amber. (Transmission = 62%).
  Roscolux #303: Warm Peach
Heavier Amber-pink tint. Useful to create warm sunlight. (Transmission = 55%).
  Roscolux #04: Medium Bastard Amber
Especially useful when cross lit with a cool color. Excellent for natural sunlight. (Transmission = 66%).
  Roscolux #304: Pale Apricot
A peach amber. More yellow than 305. (Transmission = 79%).
  Roscolux #05: Rose Tint
A clean pale pink; useful as a blush for skin tones. (Transmission = 80%).
  Roscolux #305: Rose Gold
A pale blush amber for skin tones and backlight. (Transmission = 75%).
  Roscolux #06: No Color Straw
Slightly off white. Good for interiors. (Transmission = 92%).
  Roscolux #07: Pale Yellow
Double saturation of 06. (Transmission = 96%).
  Roscolux #08: Pale Gold
Warmer straw. Flattering to skin tones. (Transmission = 86%).
  Roscolux #09: Pale Amber Gold
Deep straw. Good for late afternoon sunsets or firelight. (Transmission = 74%).
  Roscolux #10: Medium Yellow
Yellow with green. Good for special effects. Unflattering in acting areas. (Transmission = 92%).
  Roscolux #310: Daffodil
A soft medium yellow. Can be used for creating naturalistic effects such as early morning sunlight or for special effects. (Transmission = 82%).
  Roscolux #11: Light Straw
Pale yellow with slight red content. Useful for candle effects. Can be used for area lighting. For bright day feeling. (Transmission = 82%).
  Roscolux #12: Straw
Greener yellow than 10. Special effects and accents. Use with caution on skin tones. (Transmission = 88%).
  Roscolux #312: Canary
Warmer than 10. A bright, vibrant yellow that evokes exotic sunlight. Use with caution on skin. (Transmission = 85%).
  Roscolux #13: Straw Tint
Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues. (Transmission = 78%).
  Roscolux #313: Light Relief Yellow
Vibrant Yellow. More red than 312. Less green than all other yellows. (Transmission = 76%).
  Roscolux #14: Medium Straw
Pale amber-higher red content than 12. Sunlight, accents, area lighting with caution to skin tones. (Transmission = 68%).
  Roscolux #15: Deep Straw
Warm golden amber with some green. Useful for special effects-candlelight, firelight. (Transmission = 65%).
  Roscolux #16: Light Amber
Excellent area light. Light pink-amber tint. Safe for most light skin tones. (Transmission = 68%).
  Roscolux #316: Gallo Gold
A pale reddish gold, good for creating sunrise or sunset, or simulating incandescent light. A flattering naturalistic backlight color. Can be used for warm area lighting. (Transmission = 58%).
  Roscolux #17: Light Flame
Heavier pink-amber tint. Useful for dance. Especially useful when balanced with a cool color. Good general warm tint in striplights. (Transmission = 56%).
  Roscolux #317: Apricot
A rosy amber which produces a romantic sunset color. Useful as sidelight or backlight color. (Transmission = 51%)
  Roscolux #18: Flame
Warm pinkish amber. Afternoon sunset. Good sidelight. (Transmission = 56%).
  Roscolux #318: Mayan Sun
A medium salmon color which evokes feeling of a tropical island. A good sunset color. Interesting backlight and accent color. Good for warm tonal effects. (Transmission = 52%).
  Roscolux #19: Fire
Strong red amber. Excellent for fire effects. (Transmission = 20%).
  Roscolux #20: Medium Amber
Afternoon sunlight. Lamplight and candlelight. Tends to depress color pigment values. (Transmission = 54%).
  Roscolux #21: Golden Amber
Useful for amber cyc light and late sunsets. (Transmission = 43%).
  Roscolux #321: Soft Golden Amber
An amber with some green content. A good sunlight transition color that shows the progression of the sun from white or yellow to amber later in the day. (Transmission = 39%).
  Roscolux #22: Deep Amber
Very useful as a backlight. Dramatic specials and firelight. (Transmission = 26%).
  Roscolux #23: Orange
Provides a romantic sunlight through windows for evening effects. (Transmission = 32%).
  Roscolux #24: Scarlet
Very deep amber. Red with a touch of blue. (Transmission = 22%).
  Roscolux #324: Gypsy Red
Vibrant orange-red. Helps red and orange scenery pop. (Transmission = 31%).
  Roscolux #25: Orange Red
Good for firelight or special effects. Use when red with higher yellow content is needed. (Transmission = 14%).
  Roscolux #325: Henna Sky
Toasted red-amber color. Useful in re-creating setting sun or as a dramatic cyc. (Transmission = 18%).
  Roscolux #26: Light Red
Vibrant red. Good alternative primary. (Transmission = 12%).
  Roscolux #27: Medium Red
Good red primary for use with three-color light primary systems in cyclorama lighting, footlights, and border lights. (Transmission = 4%).
  Roscolux #30: Light Salmon Pink
Excellent for general area washes. Gives overall warming effect to skin tones. (Transmission = 44%).
  Roscolux #31: Salmon Pink
General wash. Good for follow spots. (Transmission = 46%).
  Roscolux #331: Shell Pink
Warmer and lighter than 31. Good for fair skin tones and to emphasize romance. (Transmission = 68%).
  Roscolux #32: Medium Salmon Pink
Deepest of the salmon pinks. (Transmission = 28%).
  Roscolux #332: Cherry Rose
A tropical pink that is good for musicals or concert lighting. A good backlight color. Interesting accent color. Good for a splash of sunset color. (Transmission = 38%).
  Roscolux #33: No Color Pink
A pale almost colorless pink. (Transmission = 65%).
  Roscolux #333: Blush Pink
A pink tint that is excellent for most skin tones. A good color for warm area lighting. Lighter than 33. (Transmission = 71%).
  Roscolux #34: Flesh Pink
Useful for bright musicals. Creates a happy atmosphere. (Transmission = 45%).
  Roscolux #35: Light Pink
Similar to 33, but slightly deeper. (Transmission = 66%).
  Roscolux #36: Medium Pink
Good for general washes and cross lighting. (Transmission = 46%).
  Roscolux #336: Billington Pink
(Transmission = 48%).
  Roscolux #37: Pale Rose Pink
Blue Pink, Use in general washes and toning. (Transmission = 56%).
  Roscolux #337: True Pink
A cool pink excellent for washes and general illumination. A good follow spot color. A component of early morning sunrise. (Transmission = 55%).
  Roscolux #38: Light Rose
Similar uses as 37, but with greater saturation. (Transmission = 49%).
  Roscolux #339: Broadway Pink
A deep, saturated pink created for musicals and specials. Excellent for down and backlighting. (Transmission = 15%).
  Roscolux #39: Skelton Exotic Sangria
A sultry, deep purple. Good for musicals or concert lighting. Excellent special effects color. (Transmission = 10%).
  Roscolux #40: Light Salmon
Similar uses to 23 but a bluer color. (Transmission = 34%).
  Roscolux #41: Salmon
Light orange with high blue content. (Transmission = 24%).
  Roscolux #42: Deep Salmon
More red than 342. (Transmission = 8%).
  Roscolux #342: Rose Pink
Extremely intense, hot pink. Produces strong washes of color for concert and dance. Combined with a complimentary color like turquoise, will create a dynamic, sculptured effect. (Transmission = 16%).
  Roscolux #43: Deep Pink
Rich, hot pink. Electric in effect with rich saturation. (Transmission = 28%).
  Roscolux #343: Neon Pink
A bright, dark pink excellent for musicals or rock and roll concert lighting. A good color for creating fake neon effects with fluorescent tubes. (Transmission = 33%).
  Roscolux #44: Middle Rose
Musical pink. Lush accents. Very versatile color. (Transmission = 26%).
  Roscolux #344: Follies Pink
A vibrant, almost fluorescent pink with a cool component. Traditionally important as a special effects color in the Broadway musical. Follow spot and dance applications as a modeling color. (Transmission = 21%).
  Roscolux #45: Rose
Use on scenery and background effects. Adds tone and modeling to scenery. (Transmission = 8%).
  Roscolux #46: Magenta
Similar uses as 45 where more saturation is needed. (Trans.= 6%). (Transmission = 6%).
  Roscolux #346: Tropical Magenta
(Transmission = 22%).
  Roscolux #47: Light Rose Purple
Good for eerie or dramatic effects. Beautiful backlight color. (Transmission = 16%).
  Roscolux #347: Belladonna Rose
Powerful magenta-purple. Good effects filter for dance. (Transmission = 6%).
  Roscolux #48: Rose Purple
Pale evening color. Excellent for backlight. (Transmission = 16%).
  Roscolux #348: Purple Jazz
A dusky purple. Good for simulating purple neon or old night club atmosphere. (Transmission = 14%).
  Roscolux #49: Medium Purple
Darkest of the magenta purple range. (Transmission = 4%).
  Roscolux #349: Fisher Fuchsia
A medium fuchsia good for special effects. An interesting backlight or accent color. (Transmission = 11%).
  Roscolux #50: Mauve
Subdued sunset effect. Useful in backlights. To create seedy atmosphere. (Transmission = 14%).
  Roscolux #51: Surprise Pink
Touch of color when white light is not desirable. (Transmission = 54%).
  Roscolux #351: Lavender Mist
(Transmission = 61%).
  Roscolux #52: Light Lavender
Excellent for general area or border light washes. It is a basic followspot color. (Transmission = 26%).
  Roscolux #53: Pale Lavender
Use when a touch of color is needed. (Transmission = 64%).
  Roscolux #353: Lilly Lavender
Same intensity as 55 with more red content. (Transmission = 29%).
  Roscolux #54: Special Lavender
Same as 53, but warmer. Useful for beams of realistic moonlight. (Transmission = 50%).
  Roscolux #55: Lilac
Same as 53, but cooler. (Transmission = 37%).
  Roscolux #355: Pale Violet
A cool lavender which acts as a neutral in a three color area lighting system. Will work well as a wash for drops or set pieces. Tones the space. Effective as moonlight shadows. (Transmission = 20%).
  Roscolux #56: Gypsy Lavender
Highly saturated, good for side and backlighting and non-realistic effect. (Transmission = 4%).
  Roscolux #356: Middle Lavender
A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting. (Transmission = 27%).
  Roscolux #57: Lavender
Excellent backlight. Gives good visibility without destroying night illusions. (Transmission = 24%).
  Roscolux #357: Royal Lavender
A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents, good in backgrounds. (Transmission = 5%).
  Roscolux #58: Deep Lavender
Excellent back light. Enhances dimensionality. (Trans.= 10%). (Transmission = 10%).
  Roscolux #358: Rose Indigo
A warm, red purple that recalls the Jazz Age. Useful for creating saturated color effects in live performance situations-club and musical group lighting. (Transmission = 5%).
  Roscolux #59: Indigo
The original Congo Blue. A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres. (Transmission = 2%).
  Roscolux #359: Medium Violet
Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash. (Transmission = 9%).
  Roscolux #60: No Color Blue
Helps maintain white light when dimmer is at low intensity. (Transmission = 62%).
  Roscolux #360: Clearwater
The slightest blue tint. Excellent for eliminating amber shift when lights are running low on a dimmer. Good for cool area light. (Transmission = 52%).
  Roscolux #61: Mist Blue
Excellent for general area washes. Very light cool tint of blue. (Transmission = 66%).
  Roscolux #361: Hemsley Blue
A sharp cold blue that stays clean when dimmed. (Transmission = 18%).
  Roscolux #62: Booster Blue
Helps maintain white light when dimmer is at low intensity. (Transmission = 54%).
  Roscolux #362: Tipton Blue
A soft clean blue. Good choice for cool area lighting. Can also be used to shift the amber of lamps running at low dimmer levels. (Transmission = 32%).
  Roscolux #63: Pale Blue
Good for creating an overcast look and feeling. (Transmission = 56%).
  Roscolux #363: Aquamarine
A pale blue-green color. Can be used for area lighting. A soft backlight color. (Transmission = 52%).
  Roscolux #64: Light Steel Blue
Useful for beams of realistic moonlight. (Transmission = 26%).
  Roscolux #364: Blue Bell
A clean light red blue. Creates naturalistic daylight fill color. Good cool area light. (Transmission = 32%).
  Roscolux #65: Daylight Blue
Useful for achieving depressed moods and dull skies. (Transmission = 35%).
  Roscolux #365: Tharon Delft Blue
Clean blue with more red than 364. A true color correction filter for film. Converts 3200K to 5500K. Good for area light. (Transmission = 36%).
  Roscolux #66: Cool Blue
A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage. (Transmission = 67%).
  Roscolux #366: Jordan Blue
More green than 65. A crisp light blue-green. (Transmission = 32%).
  Roscolux #67: Light Sky Blue
Excellent sky color. Useful for cyc and border lights. (Transmission = 26%).
  Roscolux #367: Slate Blue
Clean medium blue. Good for sky color or moonlight. (Transmission = 20%).
  Roscolux #68: Parry Sky Blue
Excellent for early morning sky tones. Popular among designers for cyc and borders. (Transmission = 14%).
  Roscolux #368: Winkler Blue
A silvery blue, used for front light and moonlight. (Transmission = 16%).
  Roscolux #69: Brilliant Blue
Used for dramatic moonlight effects. (Transmission = 18%).
  Roscolux #369: Tahitian Blue
Slightly more green than 69. (Transmission = 22%).
  Roscolux #70: Nile Blue
Useful for very light midday skies. Occasionally used for general cool tint. (Transmission = 45%).
  Roscolux #370: Italian Blue
Good to create eerie and mysterious effects. Good for night time water effects. (Transmission = 31%).
  Roscolux #71: Sea Blue
Occasionally used for general cool tint and non-realistic washes. (Transmission = 30%).
  Roscolux #371: Theatre Booster 1
Less red than 3202. (Transmission = 35%).
  Roscolux #72: Azure Blue
A clean slightly green blue. Good moonlight fill. (Transmission = 44%).
  Roscolux #372: Theatre Booster 2
Slightly lighter and less red than 3204. (Transmission = 55%).
  Roscolux #73: Peacock Blue
Good for fantasy, moonlight and water effects. (Transmission = 28%).
  Roscolux #373: Theatre Booster 3
Slightly lighter and less red than 3208. (Transmission = 72%).
  Roscolux #74: Night Blue
Fantasy moonlight. Crisp and beautiful. Popular as a backlight or sidelight in contrast to area light. (Transmission = 4%).
  Roscolux #374: Sea Green
For enhancing water scenes or deep sea environments. Greener than 73. (Transmission = 26%).
  Roscolux #75: Twilight Blue
Less green & cresper than 76. (Transmission = 11%).
  Roscolux #375: Cerulean Blue
A crisp, clean blue-green. Useful as a water effect or as a sidelight for dance. (Transmission = 32%).
  Roscolux #76: Light Green Blue
Distinctive greenish blues. Useful for romantic moonlight. (Transmission = 9%).
  Roscolux #376: Bermuda Blue
A soothing green blue. More blue than 76. A good conventional moonlight color. Interesting tonal color. (Transmission = 6%).
  Roscolux #77: Green Blue
Distinctive greenish blues. Useful for romantic moonlight. (Transmission = 9%).
  Roscolux #377: Iris Purple
Medium neutral lavendar. Good wash light. (Transmission = 11%).
  Roscolux #78: Trudy Blue
A rich clean red blue that warms to lavender when dimmed. (Transmission = 19%).
  Roscolux #378: Alice Blue
A rich clean red blue that warms to lavender when dimmed. (Transmission = 15%).
  Roscolux #79: Bright Blue
Cool clear bright blue. (Transmission = 8%).
  Roscolux #80: Primary Blue
Primary blue. For use with three color light primary system in cyc lighting. (Transmission = 9%).
  Roscolux #81: Urban Blue
Very cold brittle feeling. (Transmission = 10%).
  Roscolux #381: Baldassari Blue
Saturated color created for Lighting Designer Mike Baldassari - It's Double #3220 Double Blue (Transmission = 6%).
  Roscolux #82: Surprise Blue
Deep rich blue with slight amount of red. (Transmission = 6%).
  Roscolux #382: Congo Blue
Deep blue more saturated than Roscolux 385. Good for dark night skies or for a backlight color. A great color for rock and roll concert lighting. (Transmission = 1%).
  Roscolux #83: Medium Blue
Good for non-realistic night skies. (Transmission = 4%).
  Roscolux #383: Sapphire Blue
A deep romantic blue on the red side. (Transmission = 4%).
  Roscolux #84: Zephyr Blue
A true blue with excellent punch for bright skies. Lovely contrast to pale blues; adds coldness to shadows. (Transmission = 14%).
  Roscolux #384: Midnight Blue
An intense red-blue. Deeper than 83 with a little more red. (Transmission = 2%).
  Roscolux #85: Deep Blue
Deeply saturated blue with a hint of red. (Transmission = 3%).
  Roscolux #385: Royal Blue
Excellent for non-realistic backgrounds. A very saturated blue. Pronounced red content that will shift toward purple when dimmed. Low transmission but will offer a striking contrast when used as a background with lighter accents. (Transmission = 4%).
  Roscolux #86: Pea Green
Good for dense foliage and woodland effects. (Transmission = 56%).
  Roscolux #386: Leaf Green
(Transmission = 32%).
  Roscolux #87: Pale Yellow Green
Sunny spring mornings. (Transmission = 85%).
  Roscolux #88: Light Green
Sunny spring mornings. (Transmission = 82%).
  Roscolux #388: Gaslight Green
A yellow-green similar to the color emitted by gas lighting fixtures. Appropriate for period pieces: i.e. La Boheme, and useful for creating reflections from fields and meadows. (Transmission = 76%).
  Roscolux #89: Moss Green
Useful for mood, mystery and toning. (Transmission = 45%).
  Roscolux #389: Chroma Green
Suggests reflected light from dense foliage. A brilliant cyc lighting color which will work for chroma-keying effects in television production (Transmission = 40%).
  Roscolux #90: Dark Yellow Green
Alternate primary where higher transmission is desired. (Transmission = 13%).
  Roscolux #91: Primary Green
Primary green for three color primary system. (Transmission = 7%).
  Roscolux #92: Turquoise
Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 59%).
  Roscolux #392: Pacific Green
Cyc Wash. Good Costume color. Magical on skin. (Transmission = 20%).
  Roscolux #93: Blue Green
Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 35%).
  Roscolux #393: Emerald Green
An exagerrated green. Nearly double intensity as 93, less blue than 95. (Transmission = 14%).
  Roscolux #94: Kelly Green
Fantasy and unrealistic effects. Unflattering on skin tones. (Transmission = 25%).
  Roscolux #95: Medium Blue Green
Used on foliage in moonlight areas or for creating a mood of mystery. Good for toning scenery painted in blues, blue-greens and greens. (Transmission = 15%).
  Roscolux #395: Teal Green
A medium green-blue which can be used as a mystical special effect color. Also an interesting side or backlight color in concert lighting. (Transmission = 13%).
  Roscolux #96: Lime
To simulate unnatural sunlight before and after a rainstorm or tornado. (Transmission = 98%).
  Roscolux #97: Light Grey
Neutral greys to reduce intensity without affecting color temperature. (Transmission = 50%).
  Roscolux #397: Pale Grey
A half stop neutral density. (Transmission = 70%).
  Roscolux #98: Medium Grey
Helpful in balancing brightness of lamps of different wattage. (Transmission = 25%).
  Roscolux #398: Neutral Grey
A very neutral filter to balance brightness of lamps of different wattage without changing the color temperature. (Transmission = 40%).
  Roscolux #99: Chocolate
Warms light and reduces intensity. (Transmission = 35%).
  Roscolux #100: Frost
Frost. Changes ellipsoidal to fresnel beam pattern. (Transmission not available).
  Roscolux #101: Light Frost
Offers softened beam.Changes ellipsoidal into flood or scoop. (Transmission not available).
  Roscolux #102: Light Tough Frost
Changes ellipsoidal into flood or scoop. (Transmission not available).
  Roscolux #103: Tough Frost
Has twin qualities of wide diffusion and warm center. (Transmission not available).
  Roscolux #104: Tough Silk
Creates a slash of light for stretching light along stairs, tables, cycs, etc. Diffuses while maintaining compactness of beam. (Transmission not available).
  Roscolux #105: Tough Spun
Good on scoops for cyc lighting. (Transmission not available).
  Roscolux #106: Light Tough Spun
Removes lens shadows. (Transmission not available).
  Roscolux #111: Tough Rolux
Densest diffusion of the series. Spreads the light almost 1800. (Transmission not available).
  Roscolux #112: Opal Tough Frost
Lighter than 100-103. An excellent diffuser for HMI, CID and CSI sources softening the beam slightly while maintaining excellent transmission. (Transmission not available).
  Roscolux #113: Matte Silk
Good for striplights and specials. (Transmission not available).
  Roscolux #114: Hamburg Frost
A very light frost; good on followspots and PAR lamps. (Transmission not available).
  Roscolux #115: Light Tough Rolux
(Transmission not available).
  Roscolux #116: Tough White Diffusion
A range of diffusion materials adapted from cinematography-used for softening the shadow of the beam while maintaining a relatively high color temperature because of the use of ultra-white pigments in the manufacturing process. (Transmission not available).
  Roscolux #117: Tough 1/2 White Diffusion
A range of diffusion materials adapted from cinematography-used for softening the shadow of the beam while maintaining a relatively high color temperature because of the use of ultra-white pigments in the manufacturing process. (Transmission not available).
  Roscolux #118: Tough 1/4 White Diffusion
A range of diffusion materials adapted from cinematography-used for softening the shadow of the beam while maintaining a relatively high color temperature because of the use of ultra-white pigments in the manufacturing process. (Transmission not available).
  Roscolux #119: Light Hamburg Frost
Lighter than 114. Recommended for followspots and slight diffuse focus for ellipsoldals. (Transmission not available).
  Roscolux #120: Red Diffusion
Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission not available).
  Roscolux #121: Blue Diffusion
Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission not available).
  Roscolux #122: Green Diffusion
Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops. (Transmission not available).
  Roscolux #124: Red Cyc Silk
Combine a color with 104 Tough Silk. (Transmission not available).
  Roscolux #125: Blue Cyc Silk
Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops. (Transmission not available).
  Roscolux #126: Green Cyc Silk
Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops. (Transmission not available).
  Roscolux #127: Amber Cyc Silk
A secondary color combined with 104 Tough Silk. (Transmission not available).
  Roscolux #132: Quarter Hamburg Frost
(Transmission not available).
  Roscolux #140: Subtle Hamburg Frost
(Transmission not available).
  Roscolux #160: Light Tough Silk
Retains the diffusion properties of 104 but with less light loss. (Transmission not available).
  Roscolux #162: Light Opal
A lighter version on the popular 112 Opal Tough Frost. (Transmission not available).
  Roscolux #163: Powder Frost
A good medium cosmetic diffuser. (Transmission not available).


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